![]() ![]() ![]() I felt in the novel that the plot of Anna transitioning between worlds (be that literally, or in her daydreams) was a little less plausible I think because we have access to her thoughts, it begs why she wouldn't be more questioning of what was happening. I think it's because in the novel we have access to Anna's thoughts, which brings the teenage point of view to bear much more strongly in the film, Anna comes across more quiet and contemplative (except when she's with Marnie of course), and so it has a less frenetic feel, more suited to adult tastes. The novel feels more teen-orientated than the film, which I think is squarely aimed at adults (like most Ghibli films). ![]() It feels on the side of young people in general, even today, which I think is impressive. And the novel definitely reads like it's on Anna's side, like the author was taking issue with how children were treated by adults. Anna is a really great character: she's got the teenage spunk, but she's also quiet and reserved, and not part of the popular clique at school, which I think most readers will relate to. Both deal with mental health, parenting and neglect, and coming of age issues with subtlety, and the plot is inventive, warm and magical. The film and novel are very similar, save for the transposing to England here rather than Japan, and some slight plot differences towards the end. I really enjoyed the Studio Ghibli film, and was interested to learn it was based on a novel. Tender, nuanced and clever novel for young adults ![]()
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